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	<title>devdhunsi</title>
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	<pubDate>Fri, 21 Aug 2026 17:48:38 +0000</pubDate>
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		<title>home</title>
				
		<link>https://devdhunsi.com/home</link>

		<pubDate>Fri, 06 Oct 2023 22:56:43 +0000</pubDate>

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		<title>Footer</title>
				
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		<pubDate>Sat, 20 Aug 2022 16:15:48 +0000</pubDate>

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		<description>Exhibition / Comission / Publication</description>
		
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		<title>Info / CV</title>
				
		<link>https://devdhunsi.com/Info-CV</link>

		<pubDate>Tue, 26 Jan 2021 15:43:42 +0000</pubDate>

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	&#60;img width="5440" height="7617" width_o="5440" height_o="7617" data-src="https://freight.cargo.site/t/original/i/b97c9f060abc18ae8c64df4979a5a146e1cdeaaa6386f348bd129a34d8206d37/Feel-first--think-later_1.jpg" data-mid="245676447" border="0" alt="Oceean Smile at Andrehn-Shiptjenko (SE)" data-caption="Oceean Smile at Andrehn-Shiptjenko (SE)" src="https://freight.cargo.site/w/1000/i/b97c9f060abc18ae8c64df4979a5a146e1cdeaaa6386f348bd129a34d8206d37/Feel-first--think-later_1.jpg" /&#62;Ocean Smile at Andrehn-Shiptjenko (SE)CV 2026

Selected solo exhibition:
2026 - Unmistakably You, Andrehn-Shiptjenko (SE)
2026 - Unmistakably You, Nitja Centre for Contemporary Art (NO)2024 - Encircling Stories at Centrum For Fotografi (SE)






2024 – Tales They Don’t
Tell You, Chart Art Fair (DK)

2023 - Encircling Stories at MELK, Oslo (NO)2021 - “MaskiniTaal” @ Fotografiens hus (NO)

2020 - “Nawanzamania Phases” @ P Zero Projecthalle, KHIO (NO)
2019 - Nordic Light International Photography Festival (NO)


Selected Group Exhibitions

2026 — The Annual Autumn Exhibition (Høstutstillingen), Kunstnernes Hus, Oslo, Norway 

2025 — Water Never Sleeps, group exhibition, Sláturhúsið Art Center, Egilsstaðir, Iceland 

2025 — Bienal’25 Fotografia do Porto, Porto, Portugal 

2025 — Feel First, Think Later, Andrehn-Schiptjenko, Stockholm, Sweden 

2024 — Open Up Your Eyes, Høyersten Contemporary, Bergen, Norway 

2024 — Ties That Bind, Organ Vida, organised by Organ Vida and FUTURES Photography Platform, Zagreb, Croatia 

2024 — Østlandsutstillingen 2024, Kunstbanken Centre for Contemporary Art, Hamar, and Vestfold Art Centre, Tønsberg, Norway 

2023 — Vårutstillingen 2023, Fotogalleriet, Oslo, Norway 

2023 — Indoctrination: Multivalent Gestures, Fotogalleriet, Oslo, Norway. Curated by Dahir Hussein 

2022 — Ringen bortom mattan, The Sports Museum, Stockholm, Sweden. Curated by C-PRINT 

2022 — Illusive Illusions, MELK, Oslo, Norway. Curated by Christian Tunge

Residencies and Participations

2026 — Ones to Watch 2026, British Journal of Photography 

2025 — Echoes of Silence, commission for Amie Mbye 

2023 — Plat(t)form 2023, portfolio review and talent programme, Fotomuseum Winterthur, Switzerland 

2023 — FUTURES Photography Talent Programme 

2022–2023 — Residency at the National Museum of Norway in connection with Norway’s Queer Cultural Year


Collections and Public Art:

2026 — [fabric moving softly], [water and night meet the body] and [footsteps through wet grass], City of Oslo Art Collection, Norway 

2026 — {Signal Refracted Through Plastic, Tail Number Five Activated}, Equinor Art Collection, Norway 

2026 — {Camera Lingering}, Stockholm Konst, Sweden 

2026 — {Liberty Spikes}, Västra Götaland Region Art Collection, Sweden 

2025–2026 — Kaaf, Saaf &#38;amp; Sangam, public art commission for Stovner Bad, City of Oslo Art Collection, Norway 

2024 — If The Ground Is Taken Away, You Are Floating (2023), Kunst på Arbeidsplassen, Norway 



Publications

2026 — Mixed, photobook published by SPBH Editions / MACK 

2023 — Encircling Stories, photobook published by Heavy Books 

2021 — Dette året, photographic publication initiated by Sofie Amalie Klougart and Christian Belgaux 

2021 — Visual Wanderings, Objektiv, initiated by Nina Strand 

2019 — Uncertain States of Scandinavia, Issue 10 

2019 — RAKAVAN, photobook published by Forlaget Fotografi 

2018 — “Ett år etter Rakavan forsvant,” feature story published by Aftenposten, Adresseavisen and Stavanger Aftenblad

Online publication:

















2021 – Paper Journal – on MaskiniTaal





2018 - VICE dk on Rakavan book project
2018 - “Ett år etter Rakavan forsvant” for Aftenposten, Adressavisen og Aftenbladet.
2018 - Outtake from "Rakavan" for Acreati



Grants/Awards:2025 - Kulturdirektoratet – Arbeidsstipend for Nyetablerte
kunstnere, 3 år
2024 - Fritt Ord / Free Speech Foundation, projects funding2024 - Nordic Photobook Award, Fotogalleriet
2024 - Kulturdirektoratet - Diversestipend for nyetablerte kunstnere
2022 - Kulturrådet - Prosjektstøtte til kunstnere i etableringsfasen
2022 - Kulturrådet - Støtte til Kunstfaglige publikasjoner2022 - Kulturrådet - Prosjektstøtte til kunstnere i etableringsfasen2021 - Fresh eyes Talent 2021, powered by GUP - Guide to unique photography
2021 - Norsk Fotografisk fond - Prosjektstøtte


 2020 - Fritt ord - Prosjektstøtte







2019 - Young talent prize 2019 / Nationalhistoriske Museum Denmark2018 - 1.st. place of Fotografis’ portfolio prize 2018


	Dev Dhunsi (b. 1996) is a Norwegian–Indian artist living and working between Oslo and Punjab. He holds an MFA from the Royal Institute of Art in Stockholm (2024) and a BFA from the Oslo National Academy of the Arts. Recent solo exhibitions include Unmistakably You at Nitja Centre for Contemporary Art, Lillestrøm (2026), presented in conjunction with the release of his publication Mixed (SPBH Editions / Mack Books); as well as Encircling Stories at the Centre for Photography, Stockholm (2024), following its initial presentation at MELK, Oslo. His work has also been shown at the Museum of Contemporary Art, Zagreb during Organ Vida 13th Festival and FUTURES Photography. Dhunsi is a recipient of the Nordic Photobook Award 2024 and was selected for the FUTURES Photography platform in 2023.

Contact:
hello@devdhunsi.com

︎ @DEVDHUNSIWorking at the intersection of photography, textile, installation and critical myth-making, Dev Dhunsi’s practice expands the photographic image into sculptural, sonic and ecological space. Dhunsi combines photographic and textile techniques to investigate how histories are carried, obscured and reconfigured through material, memory and vision. Images are stretched across fabric, submerged in water or set into motion, transforming photography from a static document into an embodied, multisensory experience. Drawing on personal archives, ancestral narratives and diasporic dislocations shaped by his upbringing between Trondheim and Punjab, his work creates space for overlooked or silenced stories, resisting linear time and singular authorship. Blending myth, documentary traces and speculative gestures, Dhunsi’s installations foreground identity as porous and relational, shaped by cultural, political and historical forces. His work frequently engages queer South Asian mythologies alongside blurred landscapes that interrogate colonial frameworks of land, belonging and visibility.


	
	
	








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		<title>Comission: Stovner Bad</title>
				
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		<pubDate>Fri, 21 Aug 2026 17:48:38 +0000</pubDate>

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		<description>Commissioned by Oslo kommunes kunstsamling for Stovner Bad, Kaaf, Saaf &#38;amp; Sangam (2026) is a site-specific work by Dev Dhunsi created for the new public swimming facility at Stovner in Oslo. Installed across three locations within the building, the work responds to the swimming pool as both a public and social space and as a place associated with water, transformation, purification and renewal.
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The three-part textile work Kaaf, Saaf &#38;amp; Sangam (2026) can be found by the staircase between the first and second floors. The artwork consists of padded black forms on blue bunad fabric, surrounding images of human figures positioned at the centre of each composition. The figures have been photographed through a semi-transparent layer and appear mythical: half-human, half-animal, luminous yet simultaneously blurred. It is as though they are in the process of shedding their skin or dissolving.

Dhunsi is interested in the swimming pool as a space of transformation, purification and rebirth, drawing inspiration from Hindu deities and Japanese mythology, among other sources. He is also inspired by letters and concepts derived from Arabic, Urdu and Sanskrit.

Stovner Bad has also acquired two other artworks: Solveig Lønseth’s sculptural glass work Hun bader (2026) and Germain Ngoma’s sculpture Astro/Diver (2026).

Dev Dhunsi, Kaaf, Saaf &#38;amp; Sangam (2026)Commissioned by Oslo kommunes kunstsamling for Stovner Bad© Dev Dhunsi / BONODocumentation: Trond Isaksen


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		<title>Unmistakably You, Andréhn-Schiptjenko</title>
				
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		<pubDate>Wed, 15 Apr 2026 21:37:18 +0000</pubDate>

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		<description>Unmistakably You at Andréhn-Schiptjenko is an extension of Dhunsi’s concurrently presented solo exhibition, bearing the same title, at Nitja Centre for Contemporary Art in Lillestrøm, Norway. As a foundation for the exhibition lays his recently published photobook Mixed (2026), published by SPBH Editions / Mack Books. The project was awarded the 2024 Nordic Photobook Award.

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Photographs printed on linen, tapestry and archival fragments unfold in the exhibition space. Exploring the intersection of language and identity, Dhunsi’s project stems from the question: what happens when language fails to name lived experience? Starting out from a reflection on the absence of a word in Norwegian to describe “mixed” without reproducing ideas of race, Dhunsi here approaches identity as a shifting, porous process, in contrast to the idea of a fixed category. Fluidity holds in different aspects a crucial part in Dhunsi’s work - both in his visual language, the materials used and the subjects his lens-based practice depicts. Blurred, colour-inverted or partially concealed the subjects in his photographs are never fully revealed to the viewer, instead they enter a place where metaphor, symbols and mythology intertwines. 
In his practice, Dhunsi considers the authoritarian, historical aspects of depiction as a way of controlling narratives, as well as the subjects and environments depicted. In the exhibition room, archival images from the former State Institute for Racial Biology in Uppsala, Sweden, emerge from the floor. Partly visible, yet still concealed, they serve as historical traces and as reminders of how classification, visibility and violence are inscribed in the history of both images and institutions. This visual representation is a stark contrast to his own method, where the images grew out of conversations he had with the people depicted, leaning into a lack of direction and allowing for the subject’s own preference of self-representation.
Visit the gallery’s exhibition page:
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		<title>Kunstkritikk on Unmistakably You</title>
				
		<link>https://devdhunsi.com/Kunstkritikk-on-Unmistakably-You</link>

		<pubDate>Tue, 24 Mar 2026 21:38:18 +0000</pubDate>

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		<description>Nylig lukkede faner (Full article)Av Victoria Durnak 24.03.26

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		<title>Dazed interview on "Mixed"</title>
				
		<link>https://devdhunsi.com/Dazed-interview-on-Mixed</link>

		<pubDate>Sat, 21 Mar 2026 17:44:30 +0000</pubDate>

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		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp;
	This photo book challenges how we think about ‘mixed’ identity
	
	
	Interview by Zara AfthabLink to the article





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</description>
		
	</item>
		
		
	<item>
		<title>Mixed (SPBH/MACK, 2026)</title>
				
		<link>https://devdhunsi.com/Mixed-SPBH-MACK-2026</link>

		<pubDate>Thu, 05 Mar 2026 23:28:42 +0000</pubDate>

		<dc:creator>devdhunsi</dc:creator>

		<guid isPermaLink="true">https://devdhunsi.com/Mixed-SPBH-MACK-2026</guid>

		<description>
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Mixed (SPBH/MACK, 2026)

Mixed is a vivid and inquisitive exploration of identity by Norwegian artist Dev Dhunsi, whose mixed heritage forms the book’s point of departure. In Norway, where no equivalent word for ‘mixed’ exists, Dhunsi uses photography and text to give form to experiences that language has yet to name, confronting how belonging, visibility, and love are shaped by race, gender, and desire.

Composed of photographs, archival fragments, and text, the book unfolds as a hybrid work where tenderness and defiance, intimacy and displacement coexist. Through layering and juxtaposition, it presents a complex vision of identity that is both personal and collective, transforming hybridity from conflict into creation.

Across these pages, Dhunsi builds an experimental, mythical world – a space where bodies, symbols, and words blur and reform. Mixed sketches out a space for new kinds of humans to exist: fluid, plural, and free.

Mixed was made possible by the Nordic Photobook Award, presented by Fotogalleriet Oslo.

	


	STOCK
Worldwide: https://mackbooks.eu/products/mixed
Oslo: Tronsmo BokhandelLillestrøm: Nitja Centre for Contemporary ArtStockholm: Gallery Andrehn-Shiptjenko
	

CREDITS

First edition published by SPBH Editions, 2026Publishing Director: Bruno CeschelDesigner: Brian Paul LamotteText Editor: Nicholas MuellnerProduction Manager: Carlotta di LenardoPrinter: Grafiche Antiga

SPBH Editions is an imprint of MACKselfpublishbehappy.commackbooks. euOTA paperback
Metallic silkscreen printed shrinkwrap
14 × 17.5 cm, 304 pages
ISBN 978-1-917651-44-8
March 2026




</description>
		
	</item>
		
		
	<item>
		<title>Unmistakably You, Nitja Centre for Contemporary Art</title>
				
		<link>https://devdhunsi.com/Unmistakably-You-Nitja-Centre-for-Contemporary-Art</link>

		<pubDate>Thu, 05 Mar 2026 23:40:42 +0000</pubDate>

		<dc:creator>devdhunsi</dc:creator>

		<guid isPermaLink="true">https://devdhunsi.com/Unmistakably-You-Nitja-Centre-for-Contemporary-Art</guid>

		<description>
	Official exhibition text (Link)

	Miki Gebrelul, 'Fabler — en analytisk lesning av fotoboken «Mixed» av Dev Dhunsi' (.pdf)





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Documentation images: Kunstdok / Tor Simen Ulstein

</description>
		
	</item>
		
		
	<item>
		<title>Glimpses Behind the Curtain (2025)</title>
				
		<link>https://devdhunsi.com/Glimpses-Behind-the-Curtain-2025</link>

		<pubDate>Tue, 07 Oct 2025 11:57:32 +0000</pubDate>

		<dc:creator>devdhunsi</dc:creator>

		<guid isPermaLink="true">https://devdhunsi.com/Glimpses-Behind-the-Curtain-2025</guid>

		<description>
Podium and K4 Oslo proudly presents the following artists at SWAB art fair 2025; Thyra Dragseth (b. 1993, Copenhagen), Dev Dhunsi (b. 1996) and Louise Herreira Evensen (b. 1993, Stockholm). The presentation is curated by Hedda Grevle Ottesen (b. 1989, Oslo)Glimpses Behind the Curtain offers a rare and intimate preview of Dev Dhunsi’s forthcoming project, set to launch as a photobook and international exhibitions in 2026. Drawn from the margins of the editing process, these outtakes reveal fragments that hover between inclusion and omission, images that carry the
pulse of the work without settling into its final form.
In negatives, and bodies dissolving into light, the photographs echo the projects’ central concerns: the legacies of racial classification, the instability of identity, and the poetic charge of hybridity. They are less finished statements than fugitive gestures, moments that refuse to resolve yet insist on being seen.
By stepping momentarily “behind the curtain,” viewers encounter the vulnerability of process itself — a reminder that identity, like the photograph, is always provisional, shifting, and unfinished.

Art documentation: Diego Beyró

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