His projects, developed in large installations, combine textiles, lens-based works, and experimental printing techniques into mixed media presentations. The images themselves speak to sociopolitical and anthropological questions that exist beyond the picture’s frame. Dhunsi’s works examine identity, origin, and encounters between cultures, exp loring the cultural bridge between his ancestries and upbringing in the physical landscapes of Scandinavia and the techno- and mediascapes of Asia. Dhunsi explores how a site turns into sight, pointing to photography’s intrinsic historical function of land grabbing, and how photographic representations have been used to serve the interests of dominant power structures.

Working with cameras in a non-human way focusing on materials such as minerals, spirits, and ancestors, he tries to create site- and time-specific works that can be experienced through multisensory channels. By giving visibility to images that morph, decay, and evolve, his ecosystems highlight the intimate yet expansive coexistences among diverse beings, acknowledging our shared and continuous participation in the processes of living, dying, and decomposing.